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An introduction to framed oil painting
The framed oil painting has existed for as
long as paintings have been moveable. Any
moveable painting required to be framed to
protect it and even a fixed painting needed
some sort of framework. While the frame may
have started out as a form of protection,
its visual and symbolic purposes soon became
very important
The story of the framed oil painting in
England really begins in the sixteenth
century. The earliest frames for oil
painting were made of oak, which remained
popular until the mid-seventeenth century
and was used again in the late nineteenth
century. |
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From the late seventeenth
until the twentieth century, pine was the
most frequently used wood, but lime, a
softer, paler timber, was often used for the
most delicate carving as in the State
Bedchamber and adjoining 'cabinet' rooms at
Beningbrough. The earliest frames were
joined at the corners with a lap joint,
where the frame sides overlap, but by the
eighteenth century, the mitre joint, where
the corners are cut diagonally and are
joined by a key on the rear side of the
frame for oil painting, had become
universal.
In the sixteenth century frames for oil
painting were usually painted, but from the
seventeenth century onwards many frames for
oil painting were gilt, that is covered in
gold leaf, or finished in silver and
lacquered for protection and to give the
appearance of gold. The gold leaf was
attached by an oil-based adhesive ('oil
gilt') or one which was water-based ('water
gilt'). Water gilding was a more
time-consuming process and required a
special preparation of clay (the 'bole')
which provided the firm, smooth foundation
necessary for the gilding to be burnished,
or polished.
Elaborately carved frames for oil painting
were expensive to make. It was cheaper to
produce ornament by pressing a pliable
material, such as papier-mâché or compo, in
a mould, and then setting it on a wooden
framework. Papier-mâché was used in the
mid-18th century and again for a time in the
mid-nineteenth century. It was, however, the
introduction of compo, a composition of
whiting, glue, resin and linseed oil, in the
late eighteenth century, which drove out the
carved frame. Compo allowed for larger and
more richly ornamented frames but its
fragility proved a drawback.
Toperfect provides exquisite framed oil
paintings. Toperfect Arts offer framed
impressionism oil paintings, framed
landscape oil paintings, framed cityscape
oil paintings, framed seascape oil
paintings, framed ship oil painting, as well
as people/ portrait paintings, framed floral
oil oil paintings, framed still life
paintings, military/ historical oil
paintings, and framed animal oil paintings. |
Toperfect guarantees the quality of our
framed oil paintings and our outstanding
customer service. Our core values are
quality, selection, value, and integrity,
and we are confident in the quality of our
oil paintings.
Quality. Our commitment is to collect and
sell only those paintings whose artistic and
technical quality we believe to be truly
exceptional.
Selection. Finding quality oil paintings for
resale is what we do for a living so, in
this regard, we serve as a “personal
shopper” for many of our clients.
Value. Our objective is to keep our overhead
and distribution costs low so we can offer
such paintings at affordable cost. Our
website oilpaintingfactory.com enables us to
make truly extraordinary paintings available
to a broader audience at very reasonable
prices. |
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Integrity. Integrity, trust, reliability,
and a commitment to superior customer
satisfaction. We pride ourselves on having
each and every one of our interactions with
customers and reflect all of these
qualities.
Recently, we have introduced into new
product lines for frame and stretcher bar on
oilpaintingfactory.com, therefore, we could
offer our customers more extensive choices,
more beautiful samples and more preferable
price of frame, comparing with the other
suppliers of the same frame business line.
You may be rest assured this is the right
place to begin or continue your frame arts
sourcing journey.
There are 2 kinds of standard, true weight
of the heavy goods, gravity of volume of
light goods. Gravity of volume is decided by
the volume of goods.
For heavy goods, true weight is always
bigger than Gravity of volume. Now couriers
use it to calculate shipping cost. e.g
rolled oil painting without stretched and
framed, or stone.
For light goods, Gravity of volume is much
bigger than true weight. Now couriers use it
to calculate shipping cost. e.g
framed/stretched oil & acrylic painting or
sponge. |
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So we don't suggest that ship
framed/stretched oil & acrylic paintings by
air, the shipping cost will be very
expensive.
The reasonable and cheapest shipping method
for framed/stretched oil & acrylic painting
is by sea. 18-35 days as usual. |
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